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Ignite your senses as the 28th Beijing Music Festival’s exhilarating closing concert featuring the

China Philharmonic Orchestra under the electrifying baton of Yang Yang in a night of musical magic. Elliot Leung serves up a Chinese Kitchen: A Feast of Flavors, mezzo-soprano Ildikó Komlósi explores the soul-stirring depths of Brahms’s Alto Rhapsody and the internationally acclaimed virtuoso Gil Shaham dazzles with a breathtaking performance of Brahms’s Violin Concerto. This unmissable feast promises a blazing celebration of innovation, cultural resonance and refined artistry.

“Under Yang Yang’s direction, the China Philharmonic Orchestra delivered a performance of remarkable clarity and energy, cementing his reputation as one of China’s leading conductors.”—South China Morning Post  

“Gil Shaham’s performance was a revelation, his violin singing with a warmth and agility that brought Brahms’ concerto to life with effortless virtuosity and deep emotional resonance.”—The New York Times

“Ildikó Komlósi sang gloriously, her voice as well as her body and face providing poignance aplenty.”—ArtsFuse

Gil Shaham

Gil Shaham, the Grammy-winning violinist with countless acclaimed recordings, is rightfully considered one of the foremost violinists of our time. Shaham is highly sought-after throughout the world for concerto appearances with leading orchestras and conductors, regularly performing recitals and concert appearances with ensembles on the world’s great stages and most prestigious festivals.

Hailed for his “shimmering finesse” and “lyrical intensity,” Shaham showcases technical brilliance and soulful expressiveness, and his electrifying virtuosity is sure to create a profoundly expressive and technically dazzling interpretation of Brahms’s Violin Concerto.

China Philharmonic Orchestra and Yang Yang

The China Philharmonic Orchestra is one of China’s premier orchestral ensembles, celebrated for its rapid rise to international prominence. Based in Beijing and expertly trained under the leadership of artistic director Long Yu, the orchestra blends Western classical traditions with Chinese cultural elements, delivering performances marked by technical precision and emotional depth.

Known for his dynamic and nuanced leadership, Yang Yang is one of China’s most distinguished conductors. As Music Director and Chief Conductor of the China National Opera House and Artistic Director and Chief Conductor of Hangzhou Philharmonic Orchestra, Yang Yang balances technical discipline with expressive freedom, his visionary approach deeply connecting with musicians and audiences alike.

 Flavors, Passion and Virtuosity

The closing celebration of the 28^th BMF presents Elliot Leung, an emerging Hong Kong-born composer known for his genre-blending works fusing cinematic, classical and cultural elements. In excerpts from his Chinese Kitchen: A Feast of Flavors commissioned by the Shanghai Symphony Orchestra, Leung serves up a work of culinary-inspired brilliance.

Brahms’s Alto Rhapsody with soloist Ildikó Komlósi weaves a poignant tapestry of longing and solace, with rich choral and orchestral textures evoking profound contemplation and passion. The composer’s Violin Concerto, meanwhile, unveils a striking dialogue between soloist and ensemble, its intricate interplay of lyrical grandeur and technical virtuosity weaving a narrative of triumphant brilliance.

The 28th Beijing Music Festival concludes with a thrilling celebration of musical innovation and global artistry. With this dazzling fusion of cultural resonance and world-class brilliance, the BMF once again cements its legacy as a pioneer of musical innovation and cultural exchange.

Yang Yang, conductor

Born into a musical family, Yang Yang started music study initially on the piano with Prof. Li Qifang. Later, he started to study conducting respectively with Prof. Xu Xin and Prof. Wu Lingfen, and then was admitted to the Conducting Department of Central Conservatory of Music, being one of the students of Prof. Yu Feng.

In November 2006, Yang won the first place for his outstanding performance at the International Dimitris Mitropoulos Competition for Conductors in Greece which made him as the first conductor from China receiving award in a major international music competition.

As one of the leading conductors in China, Yang Yang has maintained close partnership with all major orchestras and opera houses in China. Meanwhile, he regularly conducts orchestras overseas including Deutsches Symphonie-Orchester Berlin, German Philharmonic Orchestra of Cologne, StuttgarterPhilharmoniker, National Rhine Philharmonic Orchestra, New Brandenburg Philharmonic Orchestra, Italian Verona Opera House, Teatro Regio Torino, Italian Rome Philharmonic Orchestra, French Cannes Symphony Orchestra, Bordeaux Symphony Orchestra, Valencia Orchestra of Spain, Greek Symphony Orchestra, Athenian Chamber Orchestra and Korean Incheon Philharmonic, etc.

He has worked with various top soloists and vocalists including cellists Lynn Harrell, Alban Gerhard, Wang Jian, Natalia Gutman, violinists Maxim Vengerov, Gidon Kremer, Midori, Sarah Chang, Augustin Dumay, Lenard Karpison, Cho-Liang Lin, pianists Gary Graffman, Lang Lang, Barry Douglas, Jean-Yves Thibaudet, Kun-Woo Paik, Jon Kimura Parker, soprano Sumi Jo, clarinetists Sabine Meyer, Wenzel Fuchs, French horn players Radovan Vlatkovic, Stefan Dohr, to name a few, as well as all the top Chinese instrumentalists and vocalists.

With prestigious recommendation from Maestro Long Yu, Yang Yang started his career in the year of 1998, at the First Beijing Music Festival (BMF). Since then, he has conducted operas and concerts at BMF eight years consecutively. From 2000 to 2016, Yang Yang held the position as the Assistant Conductor and Resident Conductor of China Philharmonic Orchestra (CPO). In 2006, Yang Yang joined in the conducting masterclass by Maestro Myung-whun Chung in Korea. In 2009 Yang Yang co-founded the Hangzhou Philharmonic Orchestra (HPO), and in 2017 Yang Yang has led the founding of Hangzhou International Music Festival.

Since 2009, Yang Yang and HPO have successfully launched seventeen music seasons, and performed at leading festivals including Mecklenburg-Vorpommern Festival, Schleswig-Holstein Musik Festival, Ravello Festival, Emilia Romagna Festival, Taormina Festival. He also toured with HPO extensively in Russia and Estonia. In 2018, Yang toured with HPO to five “Belt and Road” countries, including Greece, Bulgaria, Romania, Serbia and Hungary, as well as Japan, Korea and Thailand as the conductor, winning great applause from European and Asian audience and enjoying critical acclaim at home and abroad.

Yang Yang also devote opera ever since the beginning of his career, which led the appointment of Music Director and Chief Conductor of China National Opera House in 2016. During the past two decades Yang Yang has conducted China Philharmonic Orchestra, China National Opera House and Hangzhou Philharmonic Orchestra with opera productions including Le Nozze di Figaro, Die Zauberflöte, Don Giovanni, Così fan tutte, La Traviata, Rigoletto, Turandot, Madama Butterfly, La Bohème, Il tabarro, Suor Angelica, Gianni Schicchi, Cavalleria Rusticana, Pagliacci, Carmen. He has conducted the world premier performance of various operas by Chinese composers including Night Banquet, Wolf Cub Village, Songs Of The Long March, The Red Detachment of Women and Manas. Yang Yang has toured with China National Opera House to Swiss and Italy for Giacomo Puccini Opera Festival with Turandot, Madama Butterfly and Songs Of The Long March, which drew broad attention internationally on his outstanding talents in opera conducting.

Yang Yang is Music Director and Chief Conductor of China National Opera House, Artistic Director and Chief Conductor of Hangzhou Philharmonic Orchestra, Music Director of Hangzhou International Music Festival and Artistic Director of CCOM Children Symphony Orchestra.

Elliot Leung, composer

Elliot Leung is a composer who seeks to blend the five human senses through poignant musical storytelling. He is the youngest recipient of the prestigious Huabiao Award for music. The South China Morning Post once featured him on its front page, hailing him as a composer who writes “evocatively with flair and romance.” His music has been described as “audio-graphically visual” (The Standard) and “invigorates life” (Film Inquiry). 

His compositions have been brought to life by the world’s leading orchestras, including the New York Philharmonic, the Shanghai Symphony Orchestra, and the Hong Kong Philharmonic, with performances in iconic venues such as the Berlin Philharmonie, Lincoln Center, The Juilliard School, and the National Center for the Performing Arts. A sought-after collaborator, Leung has worked with eminent conductors such as Daniel Harding, Charles Dutoit, Yu Long, and Gerard Salonga. His notable concert works include Lunar Overture (New York Philharmonic premiere), Symphony No. 1 “The Metaverse” (Hong Kong Philharmonic premiere, Sony Classical release), and Wuxia (Shanghai Symphony Orchestra premiere).

Equally accomplished in film, Leung has scored major international productions, from his Hollywood debut Freelance to The Battle at Lake Changjin (the highest-grossing Chinese film of 2021) and critically acclaimed video games like Honor of Kings and Six Days in Fallujah. His score for Operation Red Sea was hailed by Movie Music UK as elevating Chinese film music to “world-class standard,” solidifying his reputation as a dynamic force in contemporary scoring. As of 2023, his films have collectively grossed over $2.2 billion USD worldwide.

Born in Hong Kong, Leung began his training at the Hong Kong Academy of Performing Arts. His extraordinary musical aptitude was documented when he was five years old in The Oxford Handbook of Children's Musical Cultures. At 17, he relocated to the United States, studying at the Wheaton Conservatory on scholarship under the mentorship of renowned composer Martin O’Donnell. Leung has been honored on the Forbes 30 Under 30 list, is a four-time ASCAP Music Award recipient and has 2 Game Audio Network Guild Awards.

Gil Shaham

Gil Shaham is one of the foremost violinists of our time; his flawless technique combined with his inimitable warmth and generosity of spirit has solidified his renown as an American master. The Grammy Award-winner, also named Musical America’s “Instrumentalist of the Year,” is sought after throughout the world for concerto appearances with leading orchestras and conductors, and regularly gives recitals and appears with ensembles on the world’s great concert stages and at the most prestigious festivals.

Highlights of recent years include the acclaimed recording and performances of J.S. Bach’s complete sonatas and partitas for solo violin. In the coming seasons in addition to championing these solo works he will join his long time duo partner pianist, Akira Eguchi in recitals throughout North America, Europe, and Asia.

Appearances with orchestra regularly include the Berlin Philharmonic, Boston Symphony, Chicago Symphony, Israel Philharmonic, Los Angeles Philharmonic, New York Philharmonic, Orchestre de Paris, and San Francisco Symphony as well as multi-year residencies with the Orchestras of Montreal, Stuttgart and Singapore. With orchestra, Mr. Shaham continues his exploration of “Violin Concertos of the 1930s,” including the works of Barber, Bartok, Berg, Korngold, Prokofiev, among many others.

Mr. Shaham has more than two dozen concerto and solo CDs to his name, earning multiple GRAMMYS, a Grand Prix du Disque, Diapason d’Or, and Gramophone Editor’s Choice. Many of these recordings appear on Canary Classics, the label he founded in 2004. His CDs include 1930s Violin Concertos, Virtuoso Violin Works, Elgar’s Violin Concerto, Hebrew Melodies, The Butterfly Lovers and many more. His most recent recording in the series 1930s Violin Concertos Vol. 2, including Prokofiev’s Violin Concerto and Bartok’s Violin Concerto No. 2, was nominated for a GRAMMY Award. His latest recording of Beethoven and Brahms Concertos with The Knights was released in 2021 and also nominated for a GRAMMY.

Mr. Shaham was born in Champaign-Urbana, Illinois, in 1971. He moved with his parents to Israel, where he began violin studies with Samuel Bernstein of the Rubin Academy of Music at the age of 7, receiving annual scholarships from the America-Israel Cultural Foundation. In 1981, he made debuts with the Jerusalem Symphony and the Israel Philharmonic, and the following year, took the first prize in Israel’s Claremont Competition. He then became a scholarship student at Juilliard, and also studied at Columbia University.

Gil Shaham was awarded an Avery Fisher Career Grant in 1990, and in 2008 he received the coveted Avery Fisher Prize. In 2012, he was named “Instrumentalist of the Year” by Musical America. He plays the 1699 “Countess Polignac” Stradivarius and performs on an Antonio Stradivari violin, Cremona c1719, with the assistance of Rare Violins In Consortium, Artists and Benefactors Collaborative. He lives in New York City with his wife, violinist Adele Anthony, and their three children.

China Philharmonic Orchestra

It has been 25 years since the inception of China Philharmonic Orchestra (CPO) amid miraculous development. Devoted to becoming China’s top orchestra as well as a leading figure in Asia with international reputation, the CPO has achieved an astonishing leap forward and won wide attention home and abroad during its 24 subscription seasons. The CPO sets an example for the infinite potential of Chinese artistic development, cultural rejuvenation and economic boom, as witnessed by the rest of the world.

And so be it and how true is sweet necessity. In the spring of 2009, the CPO was named Most Inspiring Orchestras by Gramophone online, joining the glittering array of ten fellow orchestras including Berliner Philharmoniker, London Symphony Orchestra and New York Philharmonic Orchestra.

By present the CPO has presented more than 10,000 music compositions in its more than 2,000 performances in the forms of concerts, operas, cantatas, incidental music, ballets, chamber music, musicals, film/TV music, multi-media and cross-over with Chinese national instruments. The CPO has worked with more than 2,000 guest artists and attracted millions of audiences. Its domestic and international tours accumulated more than one million kilometers, an equivalent of circling the world 20 times. The CPO works with China Central Television closely and have filmed more than 500 concerts and music shows as well as recorded music of more than 500 TV shows.

Yet one cannot comprehend the CPO’s accomplishment without perceiving its exciting and enormous social frame, i.e. the Great Rejuvenation of the Chinese Nation. Many artists and managers work together to fulfill their dreams with zealous passion, perseverance and determination. This makes it possible to lead the great symphonic music course in China to a better and merrier destination.

One

With the patronage of leaders of CCP and Chinese Government, China Philharmonic Orchestra was founded based on China Broadcasting Symphony Orchestra on May 25, 2000, administered by the National Radio and Television Administration. Currently, Li Nan serves as the President while Long Yu is the Artistic Director and Chief Conductor of the orchestra. As one of the youngest and most dynamic symphony orchestras in China, the CPO takes pride in professionalism, a role model to be followed by its Chinese peers. The founding of the CPO is a monumental event in the history of Chinese orchestras becoming professional and international. As the first Chinese orchestra to collaborate and release titles with an international recording label, the first Chinese orchestra to hold large-scale overseas and even global tours, the first Chinese orchestra to travel on a diplomatic mission, the first Chinese orchestra to appear on a top-tier summer festival, the CPO has broken many rules in terms of operation and management and its experiences are widely learned by its Chinese piers. In the past 20 years, the number of professional Chinese orchestras is grown from less than 20 to more than 100, and the development of the industry is greatly benefited from the experiences of the CPO.

On December 16th, 2000, Long Yu conducted the CPO in the inaugural concert at Poly Theatre in Beijing to huge acclaim. In the past nineteen subscription seasons since September 2001, musicians and orchestra managers attained unprecedented artistic standards with endeavor and wisdom under the leadership of Long Yu and successive presidents.

Highlights of the inaugural season from September 2001 to July 2002 include the world premiere of Philip Glass’ Cello Concerto, Berlioz’s La Damnation de Faust and Women General of Yang Family, a symphony poem in Peking opera style commissioned by CPO. In the following season, Long Yu conducted the China premiere of Mahler’s Symphony No. 8 (Symphony of a Thousand) with nearly a thousand domestic and visiting artists on the stage. It is a milestone in the music history in China. That season also offered Beethoven’s complete symphonies and concertos cycle as well as most of his overtures as part of the “Immortal Beethoven” concert series, highlighted by the closing concert of Beethoven’s Symphony No. 9 conducted by Long Yu in a most convincing approach. For the first two ambitious seasons the CPO qualifies itself as one of the leading orchestras in Asia. The CPO also presented the complete symphony cycle of Mahler’s symphonies in the first three seasons.

Forthcoming seasons boast of commemorating concerts devoted to Dvorák (100th Anniversary), Mozart (250th Anniversary), Shostakovich (100th Anniversary), Mendelssohn (200th Anniversary), Haydn (200th Anniversary of his death) and Karajan (100th Anniversary). Following the orchestra’s completion of its first Mahler symphonies cycle from 2001 to 2004, China Philharmonic performed 8 of his symphonies and many lieders from the end of 2010 to 2011, a tribute to the 100th anniversary of the composer’s death. In 2013 China Philharmonic performed in a co-production of Richard Wagner’s Parsifal produced by Beijing Music Festival and Salzburger Osterfestspiele commemorating the 200th anniversary of the opera master’s birth. In the years of 2014 and 2015 the orchestra presented concerts celebrating the 150th anniversary of the births of Richard Strauss and Jean Sibelius respectively. In Season 2017-2018, a series of concerts to celebrate the 100th anniversary of Leonard Bernstein was held to honor the great Maestro of the past century. The Season of 2019-2020 and Season 2020-2021 celebrates the 250th anniversary of Beethoven and 110th anniversary of the death of Gustav Mahler respectively, and Season 2022-2023 includes special concerts dedicated to Elgar, Brahms and Rachmaninoff.

The China Philharmonic Orchestra’s New Year’s Concert has been broadcasted on CCTV for 25 consecutive years and hundreds of millions of audiences watch this live concert annually.

In view of CPO’s artistic and managerial integrity, music lovers and sponsors from all walks of life have generously supported this orchestra with monetary and moral contributions. Together they form the strong backbones of the CPO.

Two

In the past 25 years, the CPO has presented numerous premieres that are virtually nowhere to be found elsewhere in China, forging its own style which is known by its audience as “the Sound of China Philharmonic” through extensive artistic involvement.

An active promoter of China’s contemporary music, China Philharmonic has established its tradition of presenting concerts dedicated to Chinese music during each of its seasons and commissioning domestic and overseas composers for new works.

Important premieres encompass Women General of the Yang Family by DU Mingxin on May 20th, 2002, Oriental Sun by Guo Wenjing on October 17th 2002, Les Cinq Elements, Iris dévoilée and Reflet d'un temps disparu by Chen Qigang on October 17th 2002, When Cranes Fly Home by John Sharpley on March 2nd 2003, “Resurrection” Piano Concerto by Krzysztof Penderecki on August 29th 2004 with the composer on the podium and Dmitri Alexeev on the keyboard.

Other essential world premiere are credited to the CPO: The Song of the Earth after Mahler’s namesake by Chinese composer Ye Xiaogang at Poly Theatre on February 18th 2005, Qiao's Grand Courtyard by Zhao Jiping in June 26th 2007, The Lofty Kunlun Mountains by Ye on September 1st 2007 commissioned by the CPO, tone poem This Land So Rich in Beauty by Guo Wenjing in September  in the same year. The CPO presented a typical and well-acclaimed “East Meets West” concert on October 24th during the 10th Beijing Music Festival, featuring a double bill world premiere of Tan Dun’s Four Secret Roads of Marco Polo and Penderecki’s Symphony No. 8 “Lieder der Verganglichkeit”.

On October 17th, 2010, China Philharmonic gave world premiere performance of Peter Ruzicka’s Hölderlin Symphony during the 13th Beijing Musi Festival. Tan Dun’s Youth, Symphonic Poem of 3 Notes and Concerto for Orchestra was premiered by China Philharmonic on the same music festival two years later. Zhao Lin’s Duo, a concerto for Cello and Sheng co-commissioned by China Philharmonic, Shanghai Symphony and Guangzhou Symphony was performed by China Philharmonic on November 9th, 2013. China Philharmonic’s playing was also heard in April, 2014 as the soundtrack (composed by Zou Ye, the orchestra’s composer-in-residence) when a digitally remastered version of China’ early silent film classic Goddess featuring Ruan Lingyu was premiered. On July 1st, 2014, Chen Qigang’s Joie Eternelle, Tan Dun’s Long-li-ge-Long and John Williams’ Scherzo were all premiered on a very special “Long Yu and His Friends” gala. In November 2016, the CPO premiered Chen Yi’s piano concerto “The Four Spirits” with pianist Clara Yang. In October 2017, Zou Ye’s vocal symphony “Winter by the Neva River” was premiered. In May 2019, Yu Jingjun’s Variation on a Beethoven Theme was premiered and in October of the same year, Zhou Long’s Last Sacrifice, Aaron Ziegman Tango Manos Concerto and Ye Xiaogang’s Song of Farewell were premiered in a special commissioned works concert. Zou Ye’s “Salute to 2000”, which was dedicated to the birth of the China Philharmonic Orchestra, was premiered in October, 2020 celebrating the 20th anniversary of the orchestra, and his “China Classical Violin Works Medley” was premiered in December the same year.

During the years between 2000 and 2006, China Philharmonic collaborated with Deutsche Grammophon and released 3 CDs, making itself the first Chinese orchestra to work with a major label and release recordings internationally. In 2012, China Philharmonic Orchestra released a 100-CD box-set of live recordings of its previous seasons. 213 compositions from 105 performances were featured in this box-set, among them Wagner’s Tristan und Isolde, Handel’s Semele, Mahler’s Symphonies No.1, 3, 5, 6, 7 and 9, Bruckner’s Symphonies No.4, 8 and 9, just to name a few. This miraculous product swept China’s record awards during 2012 and 2013, and was regarded as a must-have among collectors.

Discovering innovative methods and platforms to promote classical music, China Philharmonic filmed musical movie The Butterfly Lovers during the summer of 2014, the first movie of its kind ever produced in China. During the summer of 2015 the orchestra further filmed The Yellow River, a musical movie that contains two celebrated musical compositions, The Yellow River Cantata and The Yellow River Piano Concerto. It was directed by Teng Wenji and featured artists including Long Yu, Lang Lang, Pu Cunxin and Wang Xiufen. This movie is in cinema nationally since September 2015. During the 2020 Covid-19 pandemic, the CPO joined forces with Lang Lang, Siqing Lü, Jian Wang and Han Xiaoming and presented a special “Ode to the Flag across the Screens” TV program and brough the power of music to the people fighting the pandemic across the country.

Three

The CPO is the active and frequent advocate of Chinese music in the global sphere. With Long YU and his fellow conductors SHI Shucheng, YANG Yang and XIA Xiaotang, the orchestra is involved in a wide range of tours ever since. The CPO toured in Taipei, Taichung, Hsinchu and Kaohsiung in September 2001.In June 2002, the CPO toured North and Latin America with Long Yu and Penderecki conducting two performances at the Casals Festival in Peuto Rico, followed by sensational bay area concerts in San Jose and Los Angeles etc. In September 2002, the CPO toured Japan and Korea followed by a European tour in the following September including Opéra National de Paris, Teatr Narodowy in Warsaw and Wiener Musikverein goldener Saal.

In December 2004 as invited by the government of Italy, the CPO shared the stage at the Congress Hall in Rome with Leo Nucci and Barbara Frittoli in the Christmas concert. The concert was transmitted live in Europe via RAI and won high esteem.

February to April 2005 came the historic moment of the CPO when the orchestra launched an unprecedented world tour under the baton of Long Yu covering 22 cities in US, Canada, Italy, Slovenia, Croatia, UK, highlighted by concerts in Lincoln Centre, Barbican Centre and Berliner Philharmonie with positive reviews from New York Times, Times and Frankfurter Allgemeine Zeitung.

To commemorate the 250th anniversary of Mozart, the CPO as the only Asian orchestra joined the live transmitted concert rally on January 27th, 2006 with Berliner Philharmoniker, Wiener Philharmoniker, New York Philharmonic and Czech Philharmonic Orchestra.

In May 2008, the CPO was invited to play at the Paul VI Audience Hall in Vatican to over 8,000 audience including Holiness Pope Benedict XVI with a programme of Mozart Requiem and Chinese folk tune Jasmine Flower, and his Holiness Pope Benedict XVI greeted to Chinese people and blessed Beijing Olympic Games after the concert. International and domestic press hailed the concert as an ice breaking music venture.

In October 2010, invited by the Ministry of Culture, the CPO gave a tour concert in Rome during Chinese Premier Wen Jiabao visited Italy on the 40th anniversary of the establishment of diplomatic ties between Italy and China and for the inauguration of the Chinese Cultural Year in Italy. Dedicating to Italian audience a high standard concert, the CPO appeared on the stage of the Teatro dell'Opera di Roma with a unique program, a combination of the classics of Chinese culture, Peking Opera and of Italian opera. Premier Wen Jiabao and Italian Prime Minister Silvio Berlusconi attended the opening concert, jointly giving witness on the Sino-Italian cultural exchange event. Premier Wen Jiabao has also met the musicians of the CPO and taken pictures at his hotel before the concert.

In April 2011, promoted by the CAMI Music, the CPO, under the directing of Mr. Long Yu, toured in the West Coast area again in the United States, giving concerts in San Francisco, Davis, Santa Barbara, Costa Mesa, Northridge, San Diego, Palm Desert and other places. Those sold-out concerts made a stir among audiences. It is worth mentioning that this is the most successful international tour for the CPO; A success in box office is a great encouragement for the Chinese Symphony Orchestras.

In February 2012, Chinese Culture Year had been launched in Berlin and China Philharmonic Orchestra gave a concert in Konzerthause Berlin as the opening concert, which was highly praise by the media as “the real sound of a German orchestra”.

In July 2014, the CPO was invited by the BBC Proms to perform as the first orchestra from China to play in a world class music festival.

The August of 2015 saw China Philharmonic Orchestra’s historical 7-concert “Tour of the Silk Road” which covered 6 major cities in 5 countries that sit along the ancient Silk Road: Tajikisitan, Kyrgyz Republic, Kazakhstan, Iran and Greece. The Tour was culturally significant and was praised by international media including The Washington Post.

In November of 2015, China Philharmonic Orchestra tours Japan for the first time in 13 years, giving concerts in Tokyo Opera City Concert Hall and Karuizawa Ohga Hall.

In May 2016, China Philharmonic Orchestra further launched “2016 Tour of the Maritime Silk Road” that included Indonesia, Sri Lanka and India. By giving concerts at Jakarta’s Aula Sinfonia, Colombo’s Nelum Pokuna theatre and Mumbai’s NCPA, China Philharmonic Orchestra became the first Chinese music group that reached its artistic footsteps onto “One Belt, One Road” region.

In July 2016, China Philharmonic Orchestra made its Russian debut in the city of Irkutsk, performing a concert with Chinese and Russian symphonic works and was enjoyed by an audience that included Chinese Vice-Prime Minister and the Governor of Irkutsk.

From November to December 2016, the China Philharmonic Orchestra triumphantly launched the “2016 Tour of the Americas” which included Canada, the United States as well as Republic of Cuba into its itinerary, after a 5-year absence from the continent. The orchestra became the very first Chinese orchestra to ever step on the soil of Cuba, after greatly welcomed performances in North America that were warmly praised by leading medias including the Los Angeles Times and the San Francisco Chronicles. Its artistic standard is thus proven yet again in the mainstream market of classical music.

In November – December of 2017, the “2017 Tour of Asia” brought the China Philharmonic Orchestra to Singapore Esplanade, Kawasaki Concert Hall and Suntory Hall in Japan, and NPAC Concert Hall in Taipei, China.

The China Philharmonic Orchestra’s 2018 Tour of Russia in June - July brought the orchestra to the musical cities of Moscow and Saint Petersburg. In August 2019, the orchestra visited Russian again in a 3 concerts series during the Far East Festival in Vladivostok and Ussuriysk.

In June 2019, the China Philharmonic Orchestra launched Tour of Korea and Japan. Its appearances in Seoul, Tokyo and Osaka were overwhelmingly received, especially the Osaka concert which was only a few days before the G20 Summit.

In October 2019, the China Philharmonic Orchestra’s “Tour of the Mediterranean’s” went to Athens, Lisbon and Madrid. Its footsteps along the Silk Road has thus reached the very end of the Eurasia continent.

In January 2020, the China Philharmonic Orchestra launched Tour of Middle and Eastern Europe. Its concerts at Pecs (Hungary), Sofia (Bulgaria), Belgrad (Serbia) and Bucharest (Romania) are well received. As these concerts were held right before the Chinese New Year, the orchestra also brough best wishes to the audiences as well as Chinese people overseas.

The China Philharmonic Orchestra’s international tours were put on hold due to the COVID-19 pandemic. Instead, the orchestra toured nationwide twice in October 2020 and June 2021, performed western masterpieces and Chinese “red” classics for tens of thousands of listeners around the country. With two special galas celebrating the 20th Anniversary of the founding and the debut of the China Philharmonic Orchestra, it marched into its 3rd decade triumphantly.

In August 2022, the China Philharmonic Orchestra toured nationally along with Zhao Lin’s Symphonic Tone Poem “A Thousand Li of Rivers and Mountains”, which was co-commissioned by 22 member orchestras of the Chinese Symphony Orchestra League and was presented in front of the audience in 10 Chinese cities.

The 2023 Japan Tour brought the China Philharmonic Orchestra to Kyoto and Tokyo. The orchestra presented Zou Ye’s newly composed symphony “Kūkai”, commemorating the 1250th anniversary of Kūkai, who was a key figure in the history of China-Japan cultural relationship.

Four

An artistic organization with national importance, the China Philharmonic Orchestra fulfills its social responsibility by performing symphonic concerts in multiple universities all over China annually since 2006. Furthermore, under guidance from the Ministry of Education, the Ministry of Culture and Tourism and the Ministry of Finance, the orchestra visits primary schools in poverty and rural areas every year for volunteer works and donations and participates other charitable events enthusiastically. The honorable behaviors of China Philharmonic Orchestra are highly regarded by the society.

Five

The soul of an orchestra is its musicians. Many of the founding 120 musicians of China Philharmonic have retired or chosen different career paths, yet new recruitments maintained and further raised the orchestra’s standard to higher levels. These young musicians are deeply touched by the orchestra’s spirits and have become the core of this artistic ensemble.

Six

A distinctive style of the orchestra has been established during its first two decades, and “the Sound of China Philharmonic” is widely recognized as the extravagant yet elegant, structurally marvelous yet melodically lyrical, and deeply emotional. The past 25 years encompasses all the emotional elements found in music, regardless joy, pain, hardships or ups and downs. However, this is the moment to celebrate the orchestra and its great course immortalized by the deceased and the being, the old and the young, the knowledge and the philistine, the maestro and the rising stars. The CPO pays homage to them for all their contributions.

Thanks to all our persistent companions!

Elliot Leung: Chinese Kitchen: A Feast of Flavors (selections)  20′

I. Da Hong Pao

III. Buddha Jumps Over the Wall

IV. Peking Duck

V. Deep Fried River Prawns

IX. Glutinous Rice in Bamboo Tube

X. Deep Fried Sesame Balls/Finale

Johannes Brahms: Alto Rhapsody, Op. 53 15′

——Intermission——

Johannes Brahms: Violin Concerto in D Major, Op. 77 42′

Elliot Leung, composer

Ildikó Komlósi, mezzo-soprano

Gil Shaham, violin

China National Opera House Chorus

China Philharmonic Orchestra

Yang Yang, conductor

Chinese Kitchen: A Feast of Flavors is commissioned by the Shanghai Symphony Orchestra

The program is subject to change.